| ISBN |
9780819579164 (paperback) |
|
0819579165 (paperback) |
|
9780819579157 (hardback) |
|
0819579157 (hardback) |
| Sarjaandmed |
Music/culture
|
| Märkused |
Includes bibliographical references (pages [211]-231) and index |
| Sisukord |
Introduction. On wildness -- Wild dances : Ethnic intimacy, auto-exoticism, and infrastructural activism -- Freak cabaret : politics and aesthetics in the time of revolution -- Ungovernable timbres : the failures of the rural voice on reality TV -- Eastern music : the liminal sovereign imaginaries of Crimea -- Ethno-chaos : provincializing Russia through Ukrainian world music -- Conclusion. Dreamland : becoming acoustic citizens |
| Märkused |
"What are the uses of musical exoticism? In Wild Music, Maria Sonevytsky tracks vernacular Ukrainian discourses of "wildness" as they manifested in popular music during a volatile decade of Ukrainian political history bracketed by two revolutions. From the Eurovision Song Contest to reality TV, from Indigenous radio to the revolution stage, Sonevytsky assesses how these practices exhibit and re-imagine Ukrainian tradition and culture. As the rise of global populism forces us to confront the category of state sovereignty anew, Sonevytsky proposes innovative paradigms for thinking through the creative practices that constitute sovereignty, citizenship, and nationalism."-- Provided by publisher |
| Märksõnad |
ukraina
|
|
popmuusika
|
|
populaarmuusika
|
|
sotsiaalsed aspektid
|
|
poliitilised aspektid
|
|
muusikaajalugu
|
|
muusikakriitika
|
|
interpretatsioon
|
|
Ukraina (riik)
|
| Lisasõnad |
Popular music -- Ukraine -- 2001-2010 -- History and criticism |
|
Popular music -- Ukraine -- 2011-2020 -- History and criticism |
|
Popular music -- Social aspects -- Ukraine |
|
Popular music -- Political aspects -- Ukraine |
|
Criticism, interpretation, etc. |
|
History. |
| UDK |
78 (477) (091)
|
|
