| ISBN |
9783031518034 (köites) |
| ISBN/ISSN |
10.1007/978-3-031-51804-1 doi |
| Sarjaandmed |
Palgrave studies in life writing
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| Märkused |
Sisaldab bibliograafiat ja registrit |
| Sisukord |
Introduction / Arnaud Schmitt ; Part I. Photography, text, photographic texts ; Interanimation in Joanne Leonard’s Being in Pictures: An Intimate Photo Memoir (2008) ; In Search of a Lost Past: Family Photography and Postmemory in Michael Ignatieff’s The Russian Album ; Inserting the Manfish: Hybridity in Underwater Memoir Illustrations ; Beyond Authentication: The Construction of Patti Smith’s Identity Through Text and Image ; “Moving shadows disappearing”: Erasure of Self in Theresa Hak Kyung Cha’s Autobiographical “Photo-Essay” ; The Hybrid Life Writing of Sally Mann: Capturing Human Nature in Words and Images ; Writing a Life Written in Pictures: Postmemorial Phototextualities in Helena Janeczek’s La ragazza con la Leica ; “This Counter History”: Teju Cole’s Pandemic Visual Diary on the Kitchen as a Domestic Postcolonial Medi[t]ation ; Part II The Materialities of Hybridity: Artists, Autobiographies, Textualities, Images and Graphic Narratives ; Arenas of Hybridity ; “Leaving the marks in”: The Dialectic of Journal & Drawings by Keith Vaughan ; Photography, Intermediality, and Graphic Illness Narratives ; Sounds and Silence Made Visible: Cece Bell’s El Deafo (2014) ; The Hateful Narcissism of Allie Brosh in Hyperbole and a Half (2013) ; Ambiguous and Absent Imagery in Contemporary Culinary Memoirs |
| Märkused |
This book offers new perspectives on text/image hybridity in the context of life writing. Each chapter explores the very topical issue of how writers and artists combine two media in order to enhance the autobiographical narrative and experience of the reader. It questions the position of images in relation to text, both on the page and in terms of the power balance between media. It also shows how hybridity operates beyond a semantic and cultural balance of power, as the combination of text and images is able to produce content that would not have been possible separately. Including a range of life writing and different visual media, from paintings and photography to graphic memoirs and social media, this edited collection investigates the point at which an image, whether fixed or moving, enters the autobiographical act and confronts the verbal form. Explores how text and image can be brought together to enhance autobiographical narrative. Chapters explore a range of examples of intermediality, from the eighteenth century to the present. Includes new insights into the interaction between life narratives and social media. |
| Märksõnad |
elulookirjandus
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autobiograafiad
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intermeedialisus
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pildid
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fotod
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narratiiv
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| Täiendkirjed |
Schmitt, Arnaud, 1966- toimetaja
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| UDK |
82.09-94 (082)
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